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The 1964 Olympics marked a watershed moment for Japanese design on the international stage, with Yusaku Kamehura’s \"red circle\" logo and the design of pictograms used in the competition for the first time. Finally, the survey concludes with the rise of women's liberation or ribu, and the state of graphic design at the threshold of the digital age.\n\nIllustrated with children’s book pages, travel posters, maps, product advertisements, erotic magazine covers and more, Fracture functions as a visual treasure trove of Japanese ephemera while also introducing readers to the creative minds behind these formative designs.\n\nIan Lynam (born 1972) holds an MFA in graphic design from California Institute of the Arts. He is a faculty member at Temple University Japan Campus as well as at Vermont College of Fine Arts. 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A work that transcends time and space, Las Mexicanas celebrates the strength and diversity of Mexican women across generations, and serves as an essential item for those seeking to appreciate the richness of Mexico’s history and culture.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48736189153529,"sku":"9788419233363","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/983700ca47950da35c56dca3781eb9a7b43d22d318ddba42b4cdc402b0ffd322_240x339_7a009899-becc-483e-9b8b-983f26b84950.jpg?v=1785445124"},{"product_id":"the-feeling-of-things-by-adam-caruso","title":"The Feeling of Things By Adam Caruso","description":"A principal of the London-based architecture firm Caruso St. John, \"Gritty Brit\" Adam Caruso has been writing intensively since the mid-1990s. 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Artists \u0026amp; Agents shows how the Stasi, the KGB and other state secret police monitored happenings, performance art and action art, and looks at the debates they had about the new art form; how the police documented artistic actions, how they manipulated them and sought to thwart them; how artists dealt with the possibility that they were being observed by the secret police; and how they now work with the material stored in state archives. Artists \u0026amp; Agents includes work by Sanja Ivekovic, Orange Alternative, Peng! 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Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman’s sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977–80); centerfolds (1981); history portraits (1989–90); head shots (2000–2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman’s career, weaving together art historical analysis and discussions of the artist’s working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman’s work in light of her recent series. 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The book—and the exhibition at the Broad Museum on which it is based—shares its title with the pivotal text by feminist author bell hooks, in which love is an active process rooted in healing, carving a path away from domination and towards collective liberation.\n\nThrough her probing investigations of pop culture and mass media, Thomas makes a reverberating demand for Black women to be seen and understood, and for viewers to become what hooks calls “practitioners of love.”\nWith influences ranging from 19th-century painting to popular culture, Thomas’ art articulates a complex and empowering vision of womanhood while upending traditional definitions of beauty, sexuality, celebrity and politics. This major publication further affirms Thomas’ status as a key, influential figure in contemporary art. It features notable works that are arranged in thematic chapters throughout the book.\n\nThe book also features an interview with the artist by Rachel Thomas, and is followed by essays from Beverly Guy-Sheftall, Darnell L. Moore, Claudia Rankine, Ed Schad, Renée Mussai and Christine Y. Kim, which cover her distinct visual vocabulary, drawing on themes of intergenerational female empowerment, autobiography, memory and tenets of Black feminist theory. Together, these essays explore how Thomas subverts art history to reclaim the notions of repose, rest and leisure in works that celebrate self-expression and joy. For the artist, repose is a radical act, pointing to \"what is able to happen once you have the agency.\"\n\nMickalene Thomas (born 1971) is an international, award-winning, multidisciplinary artist whose work has yielded instantly recognizable and widely celebrated aesthetic languages within contemporary visual culture. 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Bringing together affective memories that touch on US history, violence, repression, modalities of survival and how these exist in the production and dissemination of images, music, sound and time-based media, Jafa reflects on the ontology of race and Blackness. This richly illustrated catalog reproduces key works from Jafa's wide-ranging oeuvre and explores the philosophical, historical and artistic implications of his practice, featuring essays and a series of conversations between Jafa and key practitioners working in the fields of cinema, arts and theory.\n\nArthur Jafa (born 1960) grew up in Mississippi, where his lifelong fascination with found imagery manifested in his childhood hobby of assembling binders of photographs culled from various sources. As a cinematographer and director of photography, Jafa has collaborated with Stanley Kubrick, Solange Knowles and Spike Lee, among many others. 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It shows how a generation of men took the classic Ivy Look and made it cool, edgy and unpredictable in ways that continue to influence today's modern menswear.\n\nHere you will see some famous, infamous and not so famous figures in Black culture such as Amiri Baraka, Charles White, Malcolm X, Martin Luther King Jr., James Baldwin, Miles Davis, John Coltrane and Sidney Poitier, and how they reinvented Ivy and Prep fashion—the dominant looks of the time. The real stars of the book—the Oxford cloth button-down shirt, the hand-stitched loafer, the soft shoulder three-button jacket and the perennial repp tie—are all here. 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Her background in the applied arts and dance, her involvement in the Zurich Dada movement and her projects for architectural spaces were essential to her development of a uniquely versatile and vibrant abstract vocabulary. Through her artistic output and various professional alliances, Taeuber-Arp consistently challenged the historically constructed boundaries separating fine art from craft and design.\n\nThis richly illustrated catalog explores the artist’s interdisciplinary and cross-pollinating approach to abstraction through some 400 works, including textiles, beadwork, polychrome marionettes, architectural and interior designs, stained glass windows, works on paper, paintings and relief sculptures. It also features 15 essays that examine the full sweep of Taeuber-Arp’s career. Arranged into six chapters that follow the exhibition’s sections, these essays trace the progression of Taeuber-Arp’s creative production both chronologically and thematically. A comprehensive illustrated chronology, the first essay on Taeuber-Arp’s materials and techniques, and an exhibition checklist based on new research and analysis detail the expansive nature of Taeuber-Arp’s production.\n\nSophie Taeuber-Arp was born in 1889 in Davos, Switzerland, and trained at the interdisciplinary Debschitz School in Munich. In 1914, she began a successful applied arts practice in Zurich, where she also taught textile design and participated in the Dada movement. Starting in the late 1920s, Taeuber-Arp completed several architectural and interior design projects, most significantly the Aubette entertainment complex in Strasbourg. When she moved to Paris in 1929, she turned her attention to abstract paintings and painted wood reliefs. During the Nazi occupation, Taeuber-Arp spent her final years in the South of France, and died of accidental carbon monoxide poisoning in 1943.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739758342393,"sku":"9781633451070","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/f3e8b43d4ac7a07d69f6344f797d6e7303627b44d1ab1cd02f6f40de807f9bfc_847x1000_a0f79c11-18fa-43c7-b969-9fabbe6ec406.jpg?v=1785515466"},{"product_id":"jenny-saville-gaze","title":"Jenny Saville: Gaze","description":"The renowned British artist Jenny Saville explores the centuries-old tradition of body imagery. Ancient or Christian iconographies serve as a model for her exploration of composition and space-figure-surface arrangements. She is ultimately concerned with the development of a hybrid canon of forms that uses its models as a starting point for updating what has been handed down historically. Saville's depictions of the human figure oscillate between the idealization of form and its deconstruction. Drawing inspiration from art history—from Old Masters such Leonardo and Raphael to Schiele, Picasso, Bacon and Freud—she creates paintings characterized by corporeality, physicality and the interplay of new and old techniques. Whether portraying history, the bodies of others or herself, her work consistently transcends conventional notions of beauty and ugliness. Gaze offers retrospective insight into the development of Saville's artistic practice over the last 20 years and includes new works shown for the first time.\n\nJenny Saville (born 1970) studied at the Glasgow School of Art in the late 1980s and early '90s before becoming associated with the loose generational cohort of painters and sculptors known as the Young British Artists (YBAs). She showed in the Royal Academy of Arts' famed Sensation: Young British Artists from the Saatchi Collection exhibition in 1997 alongside Damien Hirst, Tracey Emin and Sarah Lucas.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739758440697,"sku":"9783775760171","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/039d08de9c36333f17eba94b8f5ef63847c808d1faeb588c42b499841bfcd3f3_750x1000_749ec6a6-23b4-4a3a-8163-9f8de2d8431f.jpg?v=1785516382"},{"product_id":"the-face-magazine","title":"The Face Magazine","description":"Groundbreaking British youth culture and style magazine The Face established the careers of generations of photographers, journalists, designers and models. Founded in 1980 in London by English journalist Nick Logan, it is known for its distinctive, radical and of-the-minute design and its unflinching attitude. The magazine originally focused on music but branched into fashion and culture more widely, as well as encompassing political and social commentary. Initially running from 1980 to 2004, its strong inclusive stance, bold design and experimental approaches to photography still feel fresh and relevant today. In 2019, the magazine was relaunched for a new generation, while staying true to Logan’s original vision.\n\nThis volume celebrates the ongoing legacy of The Face in British art, design and culture through some of the most iconic portraits from the magazine’s first 25 years. It showcases striking portraits taken by the likes of Miles Aldridge, Elaine Constantine, Corinne Day, David LaChapelle and Juergen Teller. The photographs feature such iconic figures as Kate Moss, Annie Lennox, Kurt Cobain, Iggy Pop, Snoop Dogg, David Bowie, Ewan McGregor, Madness, The Clash and Kylie Minogue. The book also includes selected covers and spreads from the original print magazine, complemented by words from key contributors to the original magazine. Published to accompany the eponymous exhibition at the National Portrait Gallery in London, this volume is a critical tool in understanding the astounding influence of The Face on style photography as well as the magazine’s enduring impact on visual culture in Britain and beyond.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739758506233,"sku":"9781855145894","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/608e6297cde0dc93b1eef15ff415776d87810d2213ca51e579a56b5e4599a7dd_795x1000_ac6a3ee6-12f9-4a5d-adab-2f1f139c467e.jpg?v=1785515056"},{"product_id":"fringe-of-the-fringe","title":"Fringe of the Fringe","description":"Since the 1970s, the medium of video has been closely associated with subcultural and countercultural movements. 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The essays in this publication consider artistic strategies in the context of the history of punk and its offshoots, combining scholarly opinions from the fields of art history, queer theory, media studies, gender studies, postcolonial studies and cultural studies alongside field reports from the practice of alternative archives and visual essays.\n\nAuthors include: Kathrin Dreckmann, Marina Grzinic, Jack Halberstam, Josefine Hetterich, Angela McRobbie, Jennifer Ramme, Peter Rehberg, Marion Schulze, Elfi Vomberg and Katharina Wiedlack.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739758637305,"sku":"9783775753883","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/2258b65fe2575fd274ddd3a5f2050c8d5b5d04686279ef7d60df3452484cf668_723x1000_c9d9533f-4e67-4542-a8d7-1df3cb1810f0.jpg?v=1785516382"},{"product_id":"gerhard-richter-night-sketches","title":"Gerhard Richter: Night Sketches","description":"This artist’s book presents 84 reproductions of sketches taken from a notebook made by Gerhard Richter between 2004 and 2009. 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His films works like prisms—collecting the luminous reflections of cityscapes and the somber psyches of his characters, diffracting them in the brightly colored facets of a video clip. There remains what is the true measure of any great filmmaker: a perfectly articulated vision of the state of the world, here and today. Directors influenced by Wong include Quentin Tarantino, Sofia Coppola, Tsui Hark and Barry Jenkins.Wong Kar-wai (born 1956) is an award-winning Hong Kong filmmaker and producer. Notable films include Days of Being Wild, Chungking Express, In the Mood for Love, 2046, My Blueberry Nights and The Grandmaster. In May 2018, he was awarded a Doctor of Arts degree by Harvard University.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739758833913,"sku":"9782906571679","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/7f9288f37e7308773f03b1611865bc203741cc843fab2c552ed04f43e31c03e1.jpg?v=1785514325"},{"product_id":"the-table","title":"The Table","description":"Written from 1967 to 1973 over a series of early mornings in seclusion in his country home, The Table offers a final chapter in Francis Ponge’s interrogation of the unassuming objects in his life: in this case, the table upon which he wrote. In his effort to get at the presence lying beneath his elbow, Ponge charts out a space of silent consolation that lies beyond (and challenges) scientific objectivity and poetic transport. This is one of Ponge’s most personal, overlooked, and—because it was the project he was working on when he died—his least processed works. It reveals the personal struggle Ponge engaged in throughout all of his writing, a hesitant uncertainty he usually pared away from his published texts that is at touching opposition to the manufactured, “durable mother” of the table on and of which he here writes.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739758899449,"sku":"9781939663245","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/863abdd25751c5dc373b34fc30c4ad6e18e2523ad376fb1f88814d537112e89e_1320x1320_1a5786c5-b2f1-4809-af66-b300c32178db.jpg?v=1785515088"},{"product_id":"principles-of-cerebral-mechanics","title":"Principles of Cerebral Mechanics","description":"Establishing the author’s standing as the inventeur maudit of his time, Principles of Cerebral Mechanics was first presented to the Academy of Sciences in 1872, but was not published until 1879, and then only in fragmentary form. Setting out to understand the mechanics of perception—the organs of which at the time were too small and inaccessible to be studied directly—Cros instead attempted to reverse-engineer the sensory organs. Whereas his previous inventions in the realms of audio recording and color photography had focused on technology for the senses, with this ambitious essay Cros turned to conceptualizing the technology of the senses themselves: rather than the transmission of color to the retina, here he instead attempted to conceive of how color was transmitted from the retina to the brain. By approaching the human brain as a “mechanism of registration,” Cros’ essay can be set alongside the groundbreaking work of such revolutionary figures who transformed modern vision as Étienne-Jules Marey and Eadweard Muybridge.\n\nCharles Cros (1842–88) was as much Renaissance man as he was poète maudit. A bohemian poet who drank with Verlaine and provided housing to Rimbaud, he also developed the comic monologue as a theatrical genre, and invented both the phonograph (which he named the “paléophone”) and color photography (though he failed to patent either before Thomas Edison or Louis Ducos du Hauron), among other such inventions as a nonmetallic battery and a musical stenographer.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739758997753,"sku":"9781939663795","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/ae116c940a78d0c44594ad2f0742617af13eedf4530bb9e9053a081e7f35574d_643x1000_97fd2df8-306d-4d3f-8cbf-479434dd0091.jpg?v=1785515417"},{"product_id":"permutations","title":"Permutations","description":"Written between 1958 and 1982, Brion Gysin's \"permutation poems\" begin with short phrases or sentences whose constituent words are exhaustively rearranged over the course of the text. 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This organization brings distinctions between versions into relief, allowing readers to explore the playful systematicity that undergirds this remarkable body of work.\n\nBrion Gysin (1916–86) was a multidisciplinary artist, author and poet. Born in Taplow, England, he studied painting at the Sorbonne in Paris and immigrated to New York in 1939. In the 1950s he lived in Tangier, where he first met William S. Burroughs. Gysin collaborated often; after returning to Paris, he developed the \"cut-up method\" with Burroughs, and with engineer Ian Sommerville he created the Dreamachine, a kinetic light sculpture. Gysin would become a mentor for generations of artists, musicians and writers, including David Bowie, John Giorno, Keith Haring, Brian Jones and Genesis Breyer P-Orridge, among others.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739759259897,"sku":"9781734681772","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/68f6106a5a9674fffec5e3dfbf92767cafedc780c3029c546f88afc78a6e3bdb_708x1000_5c7aecf4-5588-424f-99be-abfa560c9547.jpg?v=1785515956"},{"product_id":"thinking-contemporary-curating","title":"Thinking Contemporary Curating","description":"What is contemporary curatorial thought? Current discourse on the topic is heating up with a new cocktail of bold ideas and ethical imperatives. 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Thinking Contemporary Curating is the first book to comprehensively chart the variety of practices of curating undertaken today, and to think through, systematically, what is distinctive about contemporary curatorial thought.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":48739759292665,"sku":"9780916365868","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1151\/5152\/files\/1c5e6f81e54feba34dbafd373cdbe5ccdc3f1f8879bd45ddd1a17c5966f24523_859x1250_7df7a086-ecf3-4f85-b852-1380e209af71.jpg?v=1785515139"}],"url":"https:\/\/www.shophazelandrose.com\/collections\/artbook-d-a-p.oembed","provider":"Hazel \u0026 Rose","version":"1.0","type":"link"}